Subcategories

• 

  Anna Netrebko

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  ANNA NETREBKO

  
  The undisputed prima donna of our time

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  "I work with all my colleagues – regardless of their ethnicity, religion or sexual orientation."
  - Anna Netrebko

  Prima donna, world star and style icon – Anna Netrebko is the most famous opera diva in the world. Acclaimed by the audience and praised by the critique, she is known and admired far beyond the circle of lovers of classical music. Thus, it is not surprising that Anna Netrebko was the first classical artist ever to be named one of the 100 most influential personalities in the world by TIME Magazine.

  The meteoric rise of her international career began in 2002 with her triumphant debut at the Salzburg Festival as Donna Anna in Mozart's "Don Giovanni". Contracts at the world's leading opera houses and performances in the most important concert halls followed. Her Violetta in Verdi's "La traviata" (Salzburg, 2005) or her Manon in Massenet's opera of the same name (Berlin, 2007) gained cult status, thanks to both her vocal performance and her absolute commitment to the directing concept. Great moments in her career, such as the video project "The Woman, The Voice" (2004) and the concert with Plácido Domingo and Rolando Villazón (Soccer World Cup 2006, Berlin) that was broadcasted worldwide, brought her a popularity only comparable to that of a true pop star.

  Throughout her career, the soprano, born in Krasnodar in 1971 and trained in Russia's most renowned music institutes, has continuously expanded her repertoire. In the course of the years, the amber-colour of her timbre has gained in lustre and richness of facets, opening a wide range of possibilities for the further development of her career.

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  Her debuts as Elsa in Wagner's “Lohengrin” (Dresden, 2016) and Puccini's “Tosca” (New York, 2018) show how cleverly she plans her career, reinforcing her reputation as the undisputed prima donna of our days. Netrebko is a regular guest at the world's leading opera houses such as the New York Metropolitan Opera, the San Francisco Opera, the Royal Opera House in London, La Scala in Milan, the State Operas in Vienna, Munich and Berlin, the Marinsky Theatre in Saint Petersburg and the Bolshoi Theatre in Moscow.
  
  Her repertoire includes roles like Mimì in Puccini's "La Bohème", Violetta in Verdi's "La traviata", Tatiana in Tchaikovsky's "Eugene Onegin" as well as the title roles in Donizetti's "Lucia di Lammermoor" and Massenet's "Manon". She has been celebrated with programmes showcasing arias from opera and art song at Carnegie Hall (New York), the Waldbühne in Berlin and the Red Square in Moscow, together with super stars such as Plácido Domingo, Dmitri Hvorostovsky and Daniel Barenboim. Netrebko continues to be one of the most sought-after singers at the Salzburg Festival and performs at the legendary "Nights of the Proms" in London. She also has a deep artistic relationship with her husband Yusif Eyvazov (tenor) with whom she regularly performs.
  
  Anna Netrebko has been honoured with countless prizes. Among the most important awards are the German Media Prize, the ECHO Classic Award, the British Classical Award and the "Casta Diva" Prize. Anna Netrebko appeared on advertising campaigns of the Swiss luxury jeweller Chopard in Geneva for 10 years. Before that she had advertising contracts with the renowned cosmetic brand Schwarzkopf.

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  REPRESENTATION IN RUSSIA, CIS COUNTRIES, BALTIC STATES AND PRIVAT EVENTS AROUND THE GLOB 
  
  Contact:
  Maxim Berin

  CEO@berinart.de

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• 

  Yusif Eyvazov

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  YUSIF EYVAZOV
  Tenor

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  „Yusif Eyvazov is a tenore lirico spinto with all the power needed. His top notes are phenomenal and he sings with a lot of feelings.“ - Plácido Domingo

  Yusif Eyvazov is a recognized specialist for the Italian repertoire. With a radiant voice, metallic brilliance, character and Italianità, he is a sincere and sensitive interpreter of great tenor roles from Verdi operas such as “Aida”, “Il trovatore”, “Un ballo in maschera” and “Macbeth”, Puccini's “Tosca”, “Manon Lescaut”, “Turandot” and “Il tabarro”, Mascagni's “Cavalleria rusticana” and Giordano's “Andrea Chénier”. He made his debut as Canio in Leoncavallo's “I pagliacci” under the baton of Plácido Domingo. He sang the Calaf in Puccini's “Turandot” for the first time at the Metropolitan Opera in New York. At the Berlin Opera he made his debut in Verdi's “Il trovatore”, an opera he recently sang with Anna Netrebko at the Arena di Verona.

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  Eyvazov also sang the tenor part in Verdi's “Requiem” and has recently expanded his repertoire to include French roles such as the Don José in Bizet's “Carmen”. Yusif Eyvazov has received enthusiastic reviews for his interpretations at the great opera houses in Vienna, Milan, Rome, Salzburg, Los Angeles, New York, Paris, Berlin and at the leading houses in Russia, South Korea and Japan. He regularly tours the world and sings in front of huge audiences at the London Night of the Proms or locations such as the Waldbühne in Berlin and the Red Square in Moscow together with stars like Plácido Domingo, Dmitri Hvorostovsky and Daniel Barenboim.

  Yusif Eyvazov was born in Algeria, but raised in the Azerbaijani capital Baku. Originally, the tenor wanted to become a meteorologist. When, as a student, he sang in front of friends at a party, they were so impressed that they practically forced him to enter the Music Academy in Baku. He then continued his training at the Tchaikovsky Conservatory in Moscow and finally moved to Italy in 1997 to study with the legendary tenor Franco Corelli and soprano Ghena Dimitrova. Yusif Eyvazov lives in Vienna together with his family.

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  REPRESENTATION IN RUSSIA, CIS COUNTRIES, BALTIC STATES AND PRIVAT EVENTS AROUND THE GLOB  
  
  Contact: 
  Maxim Berin

  CEO@berinart.de

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• 

  Olga Peretyatko

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  OLGA PERETYATKO

  Soprano

  [/vc_background_text][vc_text_img text_img_config="text-image-var" text_background="text-background-white" alignment_horizontal="center" alignment_vertical="center" image="504"]Singing actress with dramatic instinct
  
  "Olga is not only young, she's an excellent singer. And I'm not saying this because we are recording a CD!" - Alberto Zedda
  
  A voice as clear and fresh as water dwelling from a spring, coloraturas as delicate as Brussels lace, top notes shining like pure gold. Blessed with all these qualities that Olga Peretyatko combines with the looks of a film star, the Russian soprano is an ideal singer for the great bel canto heroines. Far from being a chirping nightingale specialised in vocal acrobatics, she is a singing actress who engages in provocative directorial concepts and renders her roles from the Italian, German, French and Russian repertoire with dramatic instinct, outstanding diction and idiomatic authenticity.

  Among the roles in which Peretyatko is internationally acclaimed are Mozart's Pamina (The Magic Flute) and Donna Anna (Don Giovanni), Donizetti's "Lucia di Lammermoor", "Anna Bolena", Adina (L'Elisir d'amore) and Norina (Don Pasquale), the Violetta in Verdi's "La traviata", the leading female roles in Offenbach's "Tales of Hoffmann" or Leila in Bizet's "Les pecheurs des perles". Peretyatko is also an exquisite singer in operas by Puccini and Russian composers such as Rimsky-Korsakov ("Tsar's Bride") and Stravinsky (Nightingale).

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  Peretyatko's career began in 2006 with an audition for the Rossini Festival in Pesaro, where she debuted in two roles from Rossini's "Il viaggio a Reims". After succeeding at Plácido Domingo's prestigious Operalia Competition (2007), she has been a guest at the most important houses, festivals and concert halls in the world, including the Vienna State Opera, the Metropolitan Opera in New York as well as the opera houses in Berlin, Milan, Moscow and St. Petersburg. Peretyatko sang at the Festspielhaus Baden-Baden, at the festivals in Grafenegg and Gstaad, at the Rossini Festival in Pesaro, the “Mozartwochen” in Salzburg and the Smetana Festival Litomysl, in the Forbidden City in Beijing and in Guangzhou (China). She worked with conductors such as Alberto Zedda, Daniel Barenboim, Richard Bonynge, Lorin Maazel and Marc Minkowski, performing together with colleagues such as Anna Netrebko, Natalie Dessay, Elīna Garanča and Rolando Villazón.

  Peretyatko was born to an opera singer in Saint Petersburg. While studying choral conducting at the St. Petersburg Conservatory, she acquired the practical and theoretical basics of music. Later she studied at the Academy of Music "Hanns Eisler" in Berlin. Olga Peretyatko has an exclusive contract with Sony Music.

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  MANAGEMENT FOR:

  Russia, CIS countries, Baltic states
  & booking worldwide
  
  Contact:
  Rafael Schwarzstein
  
  Phone: +49 234 49703986 
  Cell:     +49 152 02197452
  Fax:    +49 234 79806230

  
  r.schwarzstein@berin-iglesias.art

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• 

  Sumi Jo

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  SUMI JO

  Soprano[/vc_background_text][vc_text_img text_img_config="text-image-var" text_background="text-background-white" alignment_horizontal="left" alignment_vertical="center" image="617"]"I always wanted to do something new: new music, new theater, new recordings." – Sumi Jo
  

  The cliché of the voice of an angel has rarely been more true than with Sumi Jo. Jo's pure, vivaciously and impeccably conducted soprano voice apparently knows no technical limits and has retained its youthful freshness for decades. Blessed with these qualities, the South Korean soprano is the ideal singer for the coloratura repertoire. Her interpretations of the most demanding coloratura and bel canto roles, which sound almost supernatural, bright as silver and detached from any earthly weight, cause an international sensation. Her portrayals of the Queen of the Night (Mozart: “The Magic Flute”), “Lucia di Lammermoor” (Donizetti) and “Norma” (Bellini) are vocal works of art, embellished with effortless coloratura, wonderful piano effects and breathtakingly precise intonation. In roles like Sophie (“Der Rosenkavalier”), Zerbinetta (“Ariadne auf Naxos”) or the Falcon (“Die Frau ohne Schatten”) Sumi Jo also shone as an exquisite Strauss singer.

  
  [/vc_text_img][vc_text_img text_img_config="image-text-var" text_background="text-background-white" alignment_horizontal="left" alignment_vertical="center" image="650"]Both in concerts and a the recording studio, Sumi Jo moves playfully moves between classical and pop, musical and song. With great passion she participates in crossover projects, in which she demonstrates her great vocal and stylistic versatility. Her crossover album “Only Love” sold over 1,200,000 copies. Sumi Jo is invited to major events around the globe. For example, she gave rise to storms of enthusiasm at the closing ceremony of the Olympic Games in Sochi (2014), sang at the opening ceremony of the Winter Asian Games in the Kazakh capital (2011) and at the opening ceremony of the IAAF World Championship in Daegu (2011). She performed with Jonas Kaufmann, Renée Fleming and Dmitri Hvorostovsky as part of the program of the Olympic Games in Beijing, gave a Christmas concert with José Carreras in Barcelona, toured Asia with the Academy of Ancient Music and performed at the Tribute Concert in honour of Maria Callas at Lincoln Center (New York). She sang at the “Life Ball 2017” in Vienna, at Andrea Bocelli's “Celebrity Fight Night in Italy 2017” as well as on the occasion of the 125^th anniversary of the birth of Maria Callas, at the Teatro de Cristóbal Colón in Colombia and at the 2018 Winter Olympics in Pyeongchang. As a classical singer who devotes herself entirely to her audience, she can be heard in the most important houses and concert halls of Canada, the United States, Asia and Australia. Sumi Jo is also involved in recording award-winning film music, for example for the Italian film “Eternal Youth” by Paolo Sorrentino.[/vc_text_img][vc_text_video text_video_config="text-video-var" text_background="text-background-white" link="https://www.youtube.com/watch?v=kG4L0wHDMp8"]

  Berin Iglesias Art –
  Exclusive Management of Sumi Jo in Russia & CIS- countries
  Contact:
  Rafael Schwarzstein

  Phone: +49 234 49703986 
  Cell *WhatsApp: +49 152 02197452
  Fax:    +49 234 79806230

  r.schwarzstein@berin-iglesias.art

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• 

  Elchin Azizov

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  Elchin Azizov
  

  Baritone

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  Equality of music and expression

  „The most important question ist not about quality. It is about knowing what exactly you should sing.“ - Elchin Azizov
  

  Prima la musica, dopo le parole – first the music, then the words? Whether music or words take priority in opera, has been discussed for ages. In the ideal case, both come together, as opera is sung theatre and the word is the motor driving the drama and action. Very few opera singers have mastered the art of doing equal justice to the musical line and expressive content of the word. One who is able to do so is Elchin Azizov. And yet, the Azerbaijani baritone is a late bloomer, as the acclaimed star of the Bolshoi Theatre and the New York Met did not begin his career as a singer. In addition to his work as a producer, director and actor, he was formerly known on Russian television as a comedian and master of puns, when his phenomenal voice was discovered by the legendary singer Galina Wischnewskaja. At her invitation, the then 30-year-old made the decision to go to Moscow to be trained as a singer at breathtaking speed by the Georgian tenor Badri Maisuradze. Shortly after that he was engaged as a permanent member of the Bolshoi Theatre.

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  In every role Azizov he embodies, his origins in the performing arts are clearly perceptible. Azizov does not only have an impressively rich baritone voice. His flawless diction in several languages allows him to shape every note, every change of nuancing of the texts he sings with an astoundingly idiomatic naturalness. His leading roles include Prince Igor (Prince Igor, Rimsky-Korsakov), Grigoriy Gryaznoy (Tsar's Bride, Rimsky-Korsakov), Count Tomsky (Queen of Spades, Tchaikovsky), Ibn-Hakia (Iolanta, Tchaikovsky), Lescaut (Manon Lescaut, Puccini), Rodrigo (Don Carlo, Verdi), Giorgio Germont (La traviata, Verdi) and Escamillo (Carmen, Bizet). Outside Russia, Elchin Asisov has sung at many renowned opera houses, including the Metropolitan Opera, the Royal Opera House in London, the Opéra de Lyon, the Teatro dell'Opera di Roma and the Theater an der Wien.

  [/vc_text_img][vc_text_video text_video_config="text-video-var" text_background="text-background-white" link="https://www.youtube.com/watch?v=XD_-YFX3G94"]PROJECT MANAGEMENT
  
  Contact:
  Rafael Schwarzstein
  
  Phone: +49 234 49703986 
  Cell *WhatsApp: +49 152 02197452
  Fax:    +49 234 79806230
  
  r.schwarzstein@berin-iglesias.art[/vc_text_video][/vc_column][/vc_row][vc_row gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k"][vc_column width="1/1"][vc_gallery images="575,574,573,572,571,568,510"][/vc_column][/vc_row]
• 

  Vasily Ladyuk

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  Vasily Ladyuk
  

  Baritone

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  „Onegin is one of my favourite roles. I will never forget my debut at the Novaya-Opera – naturally as Onegin.“ - Vasily Ladyuk

  Vasily Ladyuk has a bright, velvety baritone voice which is rare. Critics emphasize the lush timbre, his great elegance and solid technique. This allows him to place effectively sustained notes, and the rhetorical and dramatic shaping of his roles, whose inner workings he illuminates with sensitivity and nuance. With these qualities Vasily Ladyuk has made a name for himself especially  as an interpreter of great roles of the Russian repertoire such as Andrei Shchelkalov (Boris Godunov), Robert (Iolanta) or Prince Yeletski (Queen of Spades).

  One of his most important role portraits is "Eugene Onegin" in Tchaikovsky's opera of the same name, with which he also made his debut at the New Opera (Novaya Opera) in Moscow in 2004. Soon he also sang as a permanent guest soloist at the Moscow Bolshoi Theatre as well as the St. Petersburg Mariinsky Theatre.

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  In addition to Russian opera, Ladyuk also sings roles by Mozart, Strauss, Rossini, Donizetti, Verdi, Puccini and Leoncavallo, and in the year of his Bolshoi debut he also sang at the Metropolitan Opera in New York. Since then he has performed in many leading houses worldwide - including La Scala in Milan, the Houston Grand Opera, the Opéra National in Paris and the Théâtre Royal de la Monnaie in Brussels. In addition to appearances in productions by renowned directors such as Dmitri Tcherniakov. Ladyuk regularly appears in concert formats in which he likes to push the boundaries of the classical repertoire.

  Vasily Ladyuk first completed a degree in choral conducting at the renowned Moscow Academy of Choral Art. From 2001 he studied solo singing with Dmitry Vdovin and won the "Concurs Tenor Viñas" in Barcelona in 2004, the competition Operalia by Plácido Domingo one year later and the opera competition in Shizuoka, Japan.

  [/vc_text_img][vc_text_video text_video_config="text-video-var" text_background="text-background-white" link="https://www.youtube.com/watch?v=3WPopdVvbNY"]

  GENERAL MANAGEMENT

  
  Contact:
  Rafael Schwarzstein
  

  Phone: +49 234 49703986 
  Cell *WhatsApp: +49 152 02197452
  Fax:    +49 234 79806230

  r.schwarzstein@berin-iglesias.art

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• 

  Ildar Abdrazakov

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  Ildar Abdrazakov

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  We are proud to announce that Berin Iglesias Art has signed an agreement on exclusive representation of one of the opera’s most thought-after basses Ildar Abdrazakov in Russia, CIS countriesand the Baltics.

  Since making his La Scala debut in 2001 at 25, the Russian singer has become a mainstay at leading houses worldwide, including New York’s Metropolitan Opera, the Vienna State Opera, Munich’s Bavarian State Opera, Mariinsky theatre and others. His powerful yet refined voice coupled with his compelling stage presence have prompted critics to hail him as a “sensational bass… who has just about everything – imposing sound, beautiful legato, oodles of finesse” (The Independent). Also an active concert artist, he has performed at London’s BBC Proms and at New York’s Carnegie Hall, as well as leading international orchestras, including the Chicago Symphony and Vienna Philharmonic.

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  Abdrazakov is a twice Grammy award winner whose repertoire includes the roles of Don Juan and Leporello (in Mozart’s “Don Juan”), Mephistopheles (in Guno’s “Faust”, Boito’s “Mephistopheles” and Berlioz’s “The Damnation of Faust”), king Philippe II (in Vedi’s “Don Carlos”), Attila (in Verdi’s “Attila”), Boris Godunov (in Musorgski’s “Boris Godunov”).

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• 

  Maria Gulegina

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• 

  Jose Carreras

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• 

  Jonas Kaufmann

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• 

  Placido Domingo

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  Concerts

  We don't make concerts, we make dreams become true

  [/vc_background_text][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" parallax_image="5" css=".vc_custom_1475184747410{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}"][vc_column width="1/1"][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="10" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" content_placement="middle" css=".vc_custom_1474329780999{padding: 50px !important;background-color: #212930 !important;}"][vc_column width="1/4"][vc_column_text el_class="p3v"]

  PLANNING

  We plan your events, whether small or large, and where. We take care of everything, if you wish.

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  SUPPORTING

  We will help you with any problems or questions and seek the best solution for you.

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  ORGANISATION

  Whether limousine, catering or decoration. We organize everything from A-Z to you.

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  ALL IN ONE

  With us you are in safe hands. Because we offer them everything from a single source.

  [/vc_column_text][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="30" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" parallax_image="5" content_placement="middle" el_class="calltoaction mfix"][vc_column width="1/1" el_class="p10v"][vc_column_text]

  BA Management

  Plan your own event

  [/vc_column_text][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" el_class="info_footer"][/vc_row][vc_column width="1/3"][/vc_column][vc_column_text]
• 

  Juan Diego Flores

  [vc_row full_width="stretch_row_content_no_spaces" gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k"][vc_column width="1/1"][vc_background_text image="71" alignment_horizontal="center" alignment_vertical="center" box_size="header_block"]

  Concerts

  We don't make concerts, we make dreams become true

  [/vc_background_text][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" parallax_image="5" css=".vc_custom_1475184747410{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}"][vc_column width="1/1"][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="10" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" content_placement="middle" css=".vc_custom_1474329780999{padding: 50px !important;background-color: #212930 !important;}"][vc_column width="1/4"][vc_column_text el_class="p3v"]

  PLANNING

  We plan your events, whether small or large, and where. We take care of everything, if you wish.

  [/vc_column_text][/vc_column][vc_column width="1/4"][vc_column_text el_class="p3v"]

  SUPPORTING

  We will help you with any problems or questions and seek the best solution for you.

  [/vc_column_text][/vc_column][vc_column width="1/4"][vc_column_text el_class="p3v"]

  ORGANISATION

  Whether limousine, catering or decoration. We organize everything from A-Z to you.

  [/vc_column_text][/vc_column][vc_column width="1/4"][vc_column_text el_class="p3v"]

  ALL IN ONE

  With us you are in safe hands. Because we offer them everything from a single source.

  [/vc_column_text][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="30" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" parallax_image="5" content_placement="middle" el_class="calltoaction mfix"][vc_column width="1/1" el_class="p10v"][vc_column_text]

  BA Management

  Plan your own event

  [/vc_column_text][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" el_class="info_footer"][/vc_row][vc_column width="1/3"][/vc_column][vc_column_text]
• 

  Ekaterina Gubanova

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  EKATERINA GUBANOVA

  Mezzosopranо[/vc_background_text][vc_text_img text_img_config="text-image-var" text_background="text-background-white" alignment_horizontal="center" alignment_vertical="center" image="626"]

  Specialised on great roles and drama queens

  "If you don't know what to do with your technique, you might loose what God has given you." - Yekaterina Guanova

  Specialised on exquisite vocal interpretations, drama queens and major roles for mezzo-soprano, Yekaterina Gubanova is internationally acclaimed for her interpretations. Gubanova seems to have very few linguistic and stylistic limitations: she can turn the bel canto part of Adalgisa from Bellini's "Norma" into a vocal work of art, sing Verdi's Principessa Eboli (Don Carlo), Amneris (Aida) and Azucena (Il trovatore) and give a splendid rendition of Nicklausse/Muse from Offenbach's "The Tales of Hoffmann". Her interpretation of Brangäne in Wagner's "Tristan und Isolde" 2005 at the Opéra National de Paris caused an international sensation. After this success, she sang the role in Baden-Baden, Rotterdam, Tokyo, St. Petersburg and Munich under conductors such as Daniel Barenboim, Valery Gergiev, Esa-Pekka Salonen and Zubin Mehta. She sang a seductive Venus in "Tannhäuser" as well as Fricka in "Das Rheingold" and "Die Walküre" under Barenboim in Berlin and Milan, demonstrating her excellent diction in both roles.

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  Singing Judith in Bartók's "Bluebeard's Castle" (Paris), Gubanova proved how familiar she is with the repertoire of the 20^th century. No need to mention that Gubanova's repertoire also includes great roles of Russian opera such as Lyubasha in Rimsky-Korsakov's "The Tsar's Bride" or Olga in Tchaikovsky's "Eugene Onegin". Gubanova is a regular guest at opera houses like the Mariinsky Theatre in St. Petersburg, the Bavarian State Opera, the Scala in Milan, the Metropolitan Opera in New York, the Royal Opera House Covent Garden in London, the Berlin State Opera, the Chicago Lyric Opera, the Vienna State Opera as well as opera houses in Paris, Barcelona and Amsterdam. She is also regularly invited to the Salzburg, Baden-Baden and Edinburgh Festivals.
  
  Curiously enough, Gubanova did not seem to be born to a singing career. Gubanova started her musical education playing the piano and was awarded an honorary degree in choral conducting. At the age of 17, when her voice settled, she was discovered while singing in a choir. She subsequently studied singing at the Tchaikovsky Conservatory in Moscow and at the Sibelius Academy in Helsinki, later entering the "Young Artists Programme" at the Royal Opera House (London). Gubanova plans her career wisely. In interviews she always refers to the basics of Italian opera singing.

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  MANAGEMENT FOR:
  Russia, CIS countries, Baltic states

  Contact:
  Rafael Schwarzstein
  
  Phone: +49 234 49703986 
  Cell:     +49 152 02197452
  Fax:    +49 234 79806230

  r.schwarzstein@berin-iglesias.art

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• 

  Ekaterina Semenchuk

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  EKATERINA SEMENCHUK

  Mezzosoprano

  [/vc_background_text][vc_text_img text_img_config="text-image-var" text_background="text-background-white" alignment_horizontal="center" alignment_vertical="center" image="628"]Stage characters made of flesh and blood
  
  "In order to create a living work of art, we must find a way to resurrect the spirit and the style of the epochs in which many operas are set." - Ekaterina Semenchuk

  A voice like fire, and a breathtaking presence on stage – Ekaterina Semenchuk fills every second of her performances in opera houses and concert halls with dramatic energy, creating stage characters made of flesh and blood that will be remembered. The mezzo-soprano's radiant voice is based on a solid foundation which, with is golden nuances, is typical for the Russian vocal school. Her top notes, however, are of radiant vigour, standing out effortlessly even amidst the largest orchestras. With these outstanding qualities, the Russian mezzo-soprano has established herself in the upper league for classical roles of Italian, French and Russian opera.

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  Born in Minsk, the singer studied in Saint Petersburg at the Rimsky-Korsakov Conservatory. She made her concert debut under the baton of Valery Gergiev at the early age of 24. She performs regularly at the Salzburg Festival, where she has appeared frequently alongside further stars of opera. After her engagements in Salzburg, she started her international career, taking her to the most important houses in Russia as well as to major opera houses abroad, such as the New York Metropolitan Opera, the Los Angeles Opera, the Opéra de Bastille in Paris, the Royal Opera House Covent Garden in London, the Berlin Staatsoper unter den Linden, the Palau de les Arts Reina Sofia in Valencia, the Arena di Verona, the Opera in Rome, the Scala in Milan, the Teatro San Carlo in Naples and the San Francisco Opera.

  Semenchuk's repertoire includes mezzo parts from operas by composers such as Verdi (Il trovatore, Aida, Macbeth, Don Carlo, La forza del destino), Mascagni (Cavalleria rusticana), Ponchielli (La Gioconda) Cilea (Adriana Lecouvreur) Donizetti (Anna Bolena), Berlioz (Roméo et Juliette), Bizet (Carmen), Saint-Saëns (Samson et Dalila), Mussorgsky (Boris Godunov), Tchaikovsky (Pique Dame), Rimsky-Korsakov (The Legend of the Invisible City of Kitezh) and Prokofiev (War and Peace). She also sang Fricka in Wagner's “Die Walküre” (The Valkyrie). As a concert singer she devotes herself to works by Shostakovich, Mahler, Glinka and Dvořák.

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  MANAGEMENT FOR:
  Russia, CIS countries and the Baltic states

  Kontak:
  Rafael Schwarzstein

  Phone: +49 234 49703986 
  Cell:     +49 152 02197452
  Fax:    +49 234 79806230

  r.schwarzstein@berin-iglesias.art

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• 

  Grigory Shkarupa

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  GRIGOGY SHKARUPA

  Bass[/vc_background_text][vc_text_img text_img_config="text-image-var" text_background="text-background-white" alignment_horizontal="center" alignment_vertical="center" image="730"]

  Grigory Shkarupa, a surprising voice!
  - Luciano Murgia, Rossini Festival 2020

  Grigory Shkarupa started winning prizes at a very young age with his deep, warm and precisely sung bass. In 2011 he was a prizewinner at the 1st Elena Obraztsova International Competition of Young Singers in St. Petersburg. Later followed the Shalyapin International Competition in Yalta, the ‘Three Centuries of the Classical Romance’ International Competition in St. Petersburg, as well as the All-Russian Sviridov Vocal Competition in Kursk.

  At the age of 19, Shkarupa debuted at the Mariinsky Theatre in St. Petersburg. He sang the roles of the Prisoner in Verdi’s Nabucco, Patsyuk in Christmas Eve, Mityukha in Mussorgsky’s Boris Godunov, Zuniga in Carmen, The Monk in Verdi’s Don Carlo, Soldier in Berlioz’s Les Troyens, and many others. He has performed with such distinguished conductors as Valery Gergiev, Yuri Temirkanov, Gianandrea Noseda, Mikhail Tatarnikov, Justus Frantz, and Mikhail Agrest. He has also toured Spain, Israel, Germany and Lithuania with the ensemble of the Mariinsky Theatre.

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  In October of 2010, Shkarupa became a member of the Young Artists Program at the Bolshoi Theatre where he regularly performed on the stage of the Bolshoi.
  In 2013, Shkarupa became a member of the International Opernstudio at the Staatsoper Berlin. He has performed there as Samuel in Verdi’s Un ballo in maschera, Marchese D’obigny in Verdi’s La traviata, Joe Alaskawolfjoe in Kurt Weill’s Mahagonny, Ein Athlet in Berg’s Lulu and the Fifth Jew in Strauss’ Salome. He sang the role of Don Alfonso in Mozart’s Cosi fan tutte at the Bregenz Festival.

  Grigory Shkarupa is a member of the Staatsoper Berlin since September of 2015, where he has performed the roles of Sarastro In Zauberflöte, Ferrando In Trovatore, Sparafucile in Rigoletto, Basilio in Barbiere di Siviglia, Masetto in Mozart’s Don Giovanni, Trufaldino in Strauss’s Ariadne auf Naxos, Biterolf in Tannhäuser. Grigorii Shkarupa performs as a guest in Grand Theatre de Genève has also performed with such conductors as Daniel Barenboim, Zubin Mehta,Vladimir Jurowski, P.Arrivabeni,  T.Sokhiev, M.Zanetti and others.

  Born in St. Petersburg in 1989, after graduating from the Glinka Choral College in 2007, he went on to study at the St. Petersburg State Conservatory as both a singer and a choral conductor. At the opera studio of the conservatory, Shkarupa already performed the roles of Gurnemanz in Wagner’s Parsifal (excerpts of the opera), Zuniga in Bizet’s Carmen conducted by Mariss Jansons, Panas in Rimsky-Korsakov’s Christmas Eve, and others.

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  MANAGEMENT:
  
  Elena Poliakova
  
  +79995454481
  e.poliakova@berin-iglesias.art

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