Subcategories

• 

  Denis Matsuev

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  DENIS MATSUEV

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  The Russian pianist Denis Matsuev was born in 1975 into a musical family in Irkutsk, Siberia. His father took charge of his initial training until, at the age of 15, Denis continued his piano studies in Moscow with Alexei Nasedkin and Sergei Dorensky. After winning the Tchaikovsky Competition in 1998, Matsuev received invitations to perform all over the world. Ever since, he has appeared as a guest artist at the Ravinia Festival, the Hollywood Bowl, the BBC Proms, the Edinburgh Festival, the Maggio Musicale in Florence, and La Roque d’Anthéron Piano Festival. He performs regularly with major orchestras and conductors: in the 2018-19 season, for example, he appeared with the New York and Munich Philharmonics and the Mariinsky Orchestra under Valery Gergiev, the Berlin and Vienna Philharmonics under Mariss Jansons, the Israel Philharmonic and Zubin Mehta, the Dresden Staatskapelle and Christian Thielemann, the London Symphony Orchestra under Gianandrea Noseda, the Chicago Symphony Orchestra under Leonard Slatkin, the Filarmonica della Scala and Riccardo Chailly, the London Philharmonic and Yuri Temirkanov, the Orchestre symphonique de Montréal under Kent Nagano, and the Orchestra del Teatro San Carlo in Naples under Neeme Järvi. 

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  Matsuev is especially acclaimed for his Rachmaninoff performances. At the invitation of the Rachmaninoff Foundation, he has played works by the composer on Rachmaninoff’s own concert grand at the Villa Senar near Lucerne. He serves as Artistic Director of the Stars on Baikal and Astana Piano Passion. Since 2008, he is the Chairman of the New Names Foundation, which supports the emerging musical generation in Russia. Matsuev is a recipient of the Shostakovich Prize, the Russian State Prize for Literature and Arts, and the Order of Honor.  He is a “People’s Artist of Russia”, UNESCO Ambassador, and an Honorary Professor of the Moscow Conservatory.

  
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  Representation:
  
  Authorized for exclusive representation in
  Belarus, Uzbekistan, Azerbaijan and recital tours in Germany
  
  Contact:
  
  artistmanagement@berin-iglesias.art

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• 

  Kirill Richter

  [vc_row full_width="stretch_row_content_no_spaces" gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k"][vc_column width="1/1"][vc_background_text alignment_horizontal="left" alignment_vertical="top" box_size="header_block" butontext_horizontal="left" butontext_vertical="top" css=".vc_custom_1677168902573{background-color: #000000 !important;}" image="1307" image_mobile="1306"]KIRILL RICHTER[/vc_background_text][vc_text_img text_img_config="text-image-var" text_background="text-background-white" alignment_horizontal="center" alignment_vertical="center" image="1308"]Der junge Pianist und Komponist Kirill Richter ist der prominenteste Vertreter der neoklassischen Musikszene. Seine lebendigen und emotionalen Kompositionen beeindrucken das Publikum immer wieder, egal an welchem Ort: ob an unauffälligen Orten oder in großen Konzertsälen.
  
  Kirill Richter begann seine Karriere 2016. 2017 gab er Dutzende Auftritte, von Soloklavierkonzerten bis hin zu Auftritten mit Orchestern. Zudem erhielt er Kompositionsaufträge für Filmmusik, Kurzfilme, Theater- und choreografische Produktionen.
  
  Er trat beim Reeperbahn Festival in Hamburg, bei der Classical:Next in Rotterdam und dem britischen The Great Escape Festival auf. In der Saison 2018/19 tritt er unter anderem in der Elbphilharmonie auf. Im Jahr 2018 beauftragte das amerikanische Fernsehunternehmen FOX Sports Kirill Richter, das offizielle Musikthema für die Übertragungen der FIFA 2018 Weltmeisterschaft zu komponieren. Diese Komposition “Where Angels Fears to Thread” wurde zur Hymne für das Fernsehpublikum in Nord- und Südamerika. Darüber hinaus komponierte Kirill Soundtracks für mehrere Filme. Am 25.04.2019 erschien das Debütalbum “Chronos”, für das er sich mehrere Jahre Zeit genommen hat.[/vc_text_img][vc_text_img text_img_config="image-text-var" text_background="text-background-white" alignment_horizontal="center" alignment_vertical="center" image="1309"]

  Am 1. Mai 2023 debütiert Kirill Richter im Großen Saal der Berliner Philharmonie und stellt sein neues Werk „The Sands of Time“ für Klaviertrio und großes Sinfonieorchester vor.
  
  Wie jede Begegnung mit Kirill Richter, wird seine Premiere zu einem spektakulären Ereignis, begleitet von der farbenreichen Szenografie und einem magischen Musikteppich. Das Publikum erwartet eine Klangreise durch die Seidene Strasse, dort wo die Geschichte von "Tausendundeiner Nacht" ihre Inspiration schöpft.
  
  

  ---

  Mitwirkende: 
  

  National Symphony orchestra of Uzbekistan 
  Dirigent: Alibek Kabdurakhmanov
  Richter Trio: Kirill Richter (Klavier), Alena Zinovieva (Violine), Avgust Krepak (Cello)

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• 

  Maxim Vengerov

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  Mavim Vengerov

  Violin[/vc_background_text][vc_text_img text_img_config="text-image-var" text_background="text-background-white" alignment_horizontal="left" alignment_vertical="center" image="369"]

  One of the greatest violinists of all time

  “Who says it has to be beautiful? Is nature always beautiful? Nature is beautiful because it’s not always how we expect it to be.” - Maxim Vengerov

  Maxim Vengerov is considered to be one of the greatest violinists of all time. His radiant interpretations, the intensity of his sound, the great dramatic quality of his renditions and the exuberant musicality of his playing are rooted in the great tradition of the Russian violin school. In the course of his international career, Vengerov already played in the most important halls of the world. Despite his international fame, Maxim Vengerov is not an artist who rests on his laurels. Instead, he always thinks outside the box of classical-romantic repertoire, explores the possibilities of his instrument in search of new inspirations and involves himself in projects embracing genres such as jazz and rock.

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  An encounter with harpsichordist Trevor Pinnock in Salzburg led Vengerov to study the baroque violin, in order to be able to play early music in a historically informed way. Vengerov worked with superstars such as Yehudi Menuhin and Carlo Maria Giulini. Encouraged by his mentors Mstislaw Rostropovich and Daniel Barenboim, Vengerov took lessons with conductor Vag Papian and has been conducting himself since 2007. Both as a soloist and conductor, Vengerov has performed with such distinguished orchestras as the New York Philharmonic, the Berlin Philharmonic, the London Symphony Orchestra, the BBC Symphony Orchestra, the Orchestra of the Mariinsky Theatre, and the symphony orchestras of Chicago, Montreal and Toronto.

  Vengerov is also passionately committed to supporting young talents, which he teaches at major music schools around the world. Born in Novosibirsk, he began his studies at the age of five with the famous teacher Galina Tuchaninova in Moscow. Later he studied with Zakhar Bron and won the first prize in the Karol Lipiński and Henryk Wieniawski Young Violin Player Competition at the age of ten. Maxim Vengerov is currently one of the most sought-after violinists worldwide. He plays the ex-Kreutzer Stradivarius of 1727.

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  MANAGEMENT FOR:
  
  Russia & CIS countries:
  Elena Polyakov

  Cell *WhatsApp: +375 29 741-97-55
  elena.poliakova@berin-art.by

  Personal Management: 
  Rafael Schwarzstein

  Phone: +49 234 49703986 
  Cell *WhatsApp: +49 152 02197452
  Fax:    +49 234 79806230
  r.schwarzstein@berin-iglesias.art

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• 

  Aydar Gaynullin

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  Aydar Gaynullin

  Bayan | Accordina | Composer

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  Musical genius and superstar on the bayan
  
  "You can play simply everything on the bayan – from classical music to rock, from Bach to Rammstein!" - Aydar Gaynullin

  Aydar Gaynullin is more than a master on the bayan, he is a musical genius and gifted entertainer. On the Eastern European chromatic button accordion Gaynullin is able to perform the most demanding Toccatas by Bach, tangos by Piazzolla, popular Csárdás tunes or even "We will rock you" by Queen – apparently there is no musical style too difficult for this energetic musician. Gaynullin seems to get pleasure in conquering new genres, surprising his audiences with his technical skills, creating magical landscapes of sound as well as exploring rhythmic extravagances and effective outbursts.

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  Experiencing Aydar Gaynullin in live concerts is a true sensation. His fingers run over the buttons of his instrument with athletic power at breathtaking speed. Besides his own compositions, Gaynullin electrifies classical music, tango, jazz, ethno-folk, rock and experimental music and performs in crossover projects. The diversity of his music could not be more distant from superficiality. His renditions of pieces from the most diverse epochs and origins is always marked by profound musicality and creative seriousness.

  The Tatar artist received a scholarship from the International Charitable Foundation "New Names" in 1992, followed by an award by the Russian Cultural Fund and an inscription into the "Golden Book" of the Russian President in 1994. From 1996 to 2000 Gaynullin studied with Andrei Ledenjow and then with Prof. Fridrich Lips. In 2003 Gaynullin was elected honorary member of the conservatory in Kaunas (Lithuania). In 2005 he graduated with distinction from the Russian Gnessin Academy of Music (Prof. F. Lips). In 2008 he graduated from the "Hanns Eisler" Academy of Music (Prof. Gudrun Wall) in Berlin where he lives together with his family.

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  GENERAL MANAGEMENT

  Contact:
  Rafael Schwarzstein

  Phone: +49 234 49703986

  Cell:     +49 152 02197452
  Fax:    +49 234 79806230

  r.schwarzstein@berin-iglesias.art

   

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• 

  ROMAN KIM

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  ROMAN KIM
  

  Violinist | Composer | Inventor

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  Sound innovator and ingenious arranger
  
  The music is the most important thing to me. - Roman Kim 

  Internet star and breathtaking virtuoso. Sound innovator and witty arranger. The young violinist and composer Roman Kim is not only a multi-talent, but also a typical artist of our time. In addition to a flawless technique, which we all presuppose in a good violinist, Roman Kim has the daring and musicality for the specific virtuoso repertoire a la Paganini that liberates such works from the odour of the exclusively superficial. Roman Kim has a direct musical approach to this music, his own compositions reveal him as a gifted and conscious successor of Paganini.

  In 2010 Roman Kimreleased his first video project as a solo violinist. The then 19-year-old transcribed the Air by Bach from the 3rd Orchestra Suite and adapted all four parts of Bach's score to a single violin. Instrumentally - a considerable challenge, musically - a pleasure. The arrangement became a hit and attracted the attention and recognition of thousands and thousands of violinists and music lovers.

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  The cooperation with the music publisher "Bärenreiter" finally brought a proud confirmation of value. The Bachs Air, arranged by Roman Kim, was published in April 2015. The demand was great and the first edition was sold out within a few months.

  Roman Kim's music is romantic, melodic and virtuoso. In his compositions, the artist discovers the boundless world of his instrument and brings many innovations to the sound possibilities of the violin. His paraphrases "I Brindisi" on Verdi's themes (published in 2013) strengthened his reputation as Paganini's "epigones". In April 2017 Roman Kim's "Three Romances" for violin and piano were published by "Bärenreiter".

  Roman Kim received his first violin lesson at the age of five and at seven years old won first prizes in national competitions, which led him to the Central Music School in Moscow in 2000. With a scholarship from the Mstislav Rostropovich Foundation (2001 - 2008), he began taking lessons from Maxim Vengerov in 2007 and attended master classes with Midori Goto, Lewis Kaplan, Miriam Fried and Gidon Kremer, while continuing to give concerts in major halls in Russia, Western Europe and South Korea. In 2008, Roman Kim was accepted at the age of 16 at the Musikhochschule in Cologne, where he studied with Prof. Viktor Tretyakov.

  [/vc_text_img][vc_text_video text_video_config="text-video-var" text_background="text-background-white" link="https://www.youtube.com/watch?v=dBkUyAJ93to"]

  GENERAL MANAGEMENT

  Personal manager:
  Rafael Schwarzstein
  

  Phone: +49 234 49703986 
  Cell *WhatsApp: +49 152 02197452
  Fax:    +49 234 79806230

  r.schwarzstein@berin-iglesias.art

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• 

  Iskandar Widjaja

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  ISKANDAR WIDJAJA

  Violin

  [/vc_background_text][vc_text_img text_img_config="text-image-var" text_background="text-background-white" alignment_horizontal="center" alignment_vertical="center" image="627"]"One of the most exciting violinists on the international Fiddle-circuit." - Arte
  
  The "complexity of his style, his musical imagination with the most diverse sound nuances and facets as well as his flawless technique and great charisma" (Christoph Eschenbach) distinguish him as a fascinating artistic personality with his own profile. The son of Arab-Dutch as well as Chinese-Indonesian parents cannot be pigeonholed.
  In his second home Indonesia he is perceived as a "pop" phenomenon, his media presence there has already resulted in a "trending topic" status (most frequently mentioned term) on twitter©.
  
  Last season saw CD releases on SONY Classical with the Vienna RSO, recital debuts in Zurich with Fazil Say and debuts with the Stuttgart Chamber Orchestra and Shanghai Philharmonic Orchestra.
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  MANAGEMENT FOR Russia, CIS countries & Baltic countries

  Senior Artist Manager:
  Elena Polyakova
  Cell: +7 999 545-44-81

  e.poliakova@berin-iglesias.art

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• 

  Livyka Sokolov

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  Livyka Sokolov
  

  Piano

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  Brilliance and individuality

  “On stage, she captures the audience with what the Germans would most likely call «Ausstrahlung», a very special charisma that emerges from her very soul.” - Cristian Florea

  Livyka Sokolov brilliant interpretations convince through individuality, powerful character, deep emotions and extraordinary taste. The young Moldavian pianist, who is especially devoted to composers such as Tchaikovsky, Scriabin, Shchedrin, Shostakovich, Prokofiev and Rachmaninov, stands in the great tradition of great Eastern European pianists. Sokolov is constantly expanding her repertoire and renowned as an important interpreter of her father's works. Stars such as Patricia Kopatchinskaja, Vladimir Swerdlow-Aschkenasi and Sol Gabetta expressed their appreciation for the young pianist.

  Sokolov played in the Kremlin under the patronage of the Russian first lady, Svetlana Medvedeva, (2010) and in the International House of Music in Moscow. She performed in the Athenaeum and the Romanian Broadcasting Hall in Bucharest, the Coliseum Arena in Saint Petersburg, the Philharmonic Hall Sibiu, the Philharmonic Hall Novosibirsk, the Organ Hall, the National Palace and the Opera House in Chișinău and in the Philharmonic Hall Pitesti. Sokolov has been invited to the "George Enescu Festival" (Romania), the "Festspiele Mecklenburg-Vorpommern", the "Berliner Klassiksommer", the "Moldavian Piano Nights", the "Days of International Music from Moldova", the "Next Generation" festival (Bad Ragaz, Switzerland) and "Vladimir Spivakov invites..." in Minsk.

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  In 2010 she was the youngest participant of the "Menuhin Festival" in Gstaad. In 2014 she played at the finale of the “Eurovision Young Musicians” Competition in Cologne. As a soloist, she has performed with the WDR Symphony Orchestra, the Moldavian Chamber Orchestra, the National Philharmonic Orchestra Chișinău, the Moldavian Youth Orchestra, the Orchestra of the Moldavian Opera, the Symphony Orchestra Pitesti and under conductors such as Kristiina Poska, Daniel Manasi, Charles Ansbacher, Mihail Agafita, Valentin Doni, Cristian Florea, Igor Andriewskii, Mihail Secichin, Crispin Ward and Dumitru Carciumaru. Ilian Garnet (violin), Konstantin Manaev (cello) Cristian Florea (cello) and Gintaras Januseavicius (piano) are among her chamber music partners.

  Sokolov was born into a musical family. Her father Liviu Shtirbu is considered to be one of the most important contemporary composers of his home country. Her mother Angela Sokolov is a pianist. Livyka Sokolov began to play the piano at the age of six and a half. Two years later she received the award "Debut of the Year" in Chișinău. Sokolov studied at the State Academy of Music "Ciprian Porumbescu" in Chișinău with Tatiana Sviridov. She won many international competitions and has been studying with the world-renowned Russian pianist Eduard Kunz since 2017.

  [/vc_text_img][vc_text_video text_video_config="text-video-var" text_background="text-background-white" link="https://www.youtube.com/watch?v=j8MVt9AJFPc"]

  GENERAL MANAGEMENT

  Contact:
  Rafael Schwarzstein
  
  Phone: +49 234 49703986 
  Cell:     +49 152 02197452
  Fax:    +49 234 79806230
  
  r.schwarzstein@berin-iglesias.art
  
  

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• 

  Andrea Griminelli

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  Andrea Griminelli
  

  Flute

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  „The greatest flautist who has been at the forefront of the musical scene for many years.” - Sir James Galway

  Andrea Griminelli’s sensitive interpretations and astonishing technique have earned him awards from every corner of the musical world –including the Grammy, the Prix de Paris and an Italian Knighthood. In his 34-years long career as a soloist, Griminelli has performed at La Scala, Carnegie Hall and Suntory Hall among many others in Europe, Asia and America. His performances with leading conductors have included Georges Pretre, Carl-Maria Giulini, Zubin Mehta, Sir Roger Norrington, Emmanuel Krivine, Yuri Bashmet, Sir Richard Bonynge, Jean-Pierre Rampal, Gennady Rozhdestvensky, James Levine, Jerzy Semkov and my others. He has worked with the Royal Philharmonic, Berlin Symphony, Munchner Rundfunkorchester, London Philharmonic, l’Orchestre de Paris, New York Philharmonic, Orchestra Nazionale della RAI, and the Los Angeles Philharmonic to name a few.

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  In 1984, at 25, he was invited by Luciano Pavarotti to perform in the now famous concert at New York’s Madison Square Garden. This marked the start of a collaboration between the two artists that spanned 200 concerts including performances at London’s Hyde Park, New York’s Central Park, the Eiffel Tower in Paris and Red Square, Moscow. Griminelli began playing the flute at the age of eleven. During his studies with Jean- Pierre Rampal at the Paris Conservatory, he won music competitions in Stresa and Alessandria, Italy. He was twice awarded the prestigious Prix de Paris. A prolific recording artist, he has been featured as soloist on more than 30 discs including recordings with the English Chamber Orchestra conducted by Jean-Pierre Rampal and Camerata Academica Salzburg led by Sir Roger Norrington. His work on behalf of charitable causes has led to frequent collaborations with artists from popular culture including Sir Elton John, James Taylor, Sting, Branford Marsalis and Ian Anderson of Jethro Tull.

  [/vc_text_img][vc_text_video text_video_config="text-video-var" text_background="text-background-white" link="https://www.youtube.com/watch?v=CNPDN4tilco"]

  Representation:
  in Germany, Austria and Switzerland

  Contact:
  Rafael Schwarzstein
  
  Phone: +49 234 49703986 
  Cell:     +49 152 02197452
  Fax:    +49 234 79806230
  
  r.schwarzstein@berin-iglesias.art
  
  

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• 

  Peter Dranga

  [vc_row full_width="stretch_row_content_no_spaces" gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k"][vc_column width="1/1"][vc_background_text alignment_horizontal="left" alignment_vertical="top" box_size="header_block"]

  Peter Dranga
  

  ACCORDION

  [/vc_background_text][vc_text_img text_img_config="text-image-var" text_background="text-background-white" alignment_horizontal="center" alignment_vertical="center" image="509" el_class="Testtext will er herein?"]Creativity combined with the looks of a Latin lover
  
  

  “I come from a musical family: my father was a music teacher, my mother in the accordion class. That's how they met and I'm the result.” - Peter Dranga 

  Anyone who thinks the accordion is only an instrument for placid folk evenings and lovers of amateur music has never heard Peter Dranga. The young Russian with the looks of a Latin lover rescued the traditional folk instrument out of its dusty corner and took it on a journey to a completely new sphere of music. Whenever Dranga plays and sings in sold out shows and up-to-date music videos, he shows his breathtaking ability to reinterpret Russian songs, tangos or even Vivaldi's "Four Seasons", turning them upside down and making them sound as fresh, cosmopolitan and edgy, as if you were listening to them for the first time.

  Drangas own compositions are a fascinating creative puzzle. He mixes influences from nostalgic musette waltzes, techno or pop songs from Radiohead, Muse and Nirvana, converting them into something completely new. Whether in solo programs, in concerts with his band or accompanied by symphony orchestras – Dranga's breathtaking virtuosity, his easy-going flirt with musical styles, his sense of drama and show as well as his sensual, smoky voice take audiences by storm.

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  Peter Dranga was born in Moscow into a family of musicians: his father was a professor at the Gnessin Music Institute, his mother the director of the Slakdislov Music School. He started playing the accordion as a child and was accepted at the Richter Music School in 1990. Soon he began arranging pieces from different genres for his instrument. In 1996 he won the competitions in Moscow and Castelfidardo (Italy). In 1997 he took part in the music competition in Saint Petersburg, performed at the International Music Festival in Beijing one year later and won the competition in Asturias (Spain). In 1999 he was accepted at the Gnessin Music Institute and began his concert career with the support of the Russian Cultural Foundation. His first CD was released in 2008. Dranga preferably plays instruments of the Italian manufacturer Bugari Armando. He successfully tours with solo programs, is regularly seen on TV and proud to support several charitable organizations.

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  GENERAL MANAGEMENT

  Contact:
  Rafael Schwarzstein
  
  

  Phone: +49 234 49703986 
  Cell:     +49 152 02197452
  Fax:    +49 234 79806230

  r.schwarzstein@berin-iglesias.art

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• 

  Nigel Kennedy

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  Concerts

  We don't make concerts, we make dreams become true

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  PLANNING

  We plan your events, whether small or large, and where. We take care of everything, if you wish.

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  SUPPORTING

  We will help you with any problems or questions and seek the best solution for you.

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  ORGANISATION

  Whether limousine, catering or decoration. We organize everything from A-Z to you.

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  ALL IN ONE

  With us you are in safe hands. Because we offer them everything from a single source.

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  BA Management

  Plan your own event

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• 

  MIKHAIL RADUNSKI

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  MIKHAIL RADUNSKI

  Violoncello

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  Intelligent interpretations with feeling

  "The noble sound he produces on the instrument called cello simply impresses everyone." - Vladimir Perlin

  The human voice has always been considered the ideal of every instrumental interpretation. Mikhail Radunski's playing is proof of how true this is. Radunski plays his cello, making it sing and impressing with his sensual, intelligent interpretations, the precision of his tone and his technical versatility. The young, Belarusian cellist, teacher and winner of international competitions is a regular participant of important festivals such as the “Yuri Bashmet International Festival” in Minsk or the "Musica Mundi" festival in Belgium, where he also works as a teacher.

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  In 2016 Radunski made his debut on the stage of the Palais des Beaux Arts in Brussels under Maxim Vengerov as the conductor of the Belgian National Orchestra. He has played with Vengerov on several occasions and performed together with Olga Peretyatko. Radunski does not only interpret symphonic repertoire but also solo and chamber music. As a curious musician who likes to experiment with genres and musical styles, he is also successful in various cross-over projects. His collaboration with the Belarusian pianist, singer and participant of the Eurovision Song Contest Yan Yarosh attracted special attention. Together they played titles by Sting, John Lennon or Robbie Williams in a style, elegantly combining pop and classical music.

  Mikhail Radunksi has performed in his home country, Poland, Russia, China, France and Germany. He was born in Minsk and educated in the class of the renowned pedagogue Vladimir Perlin at the State Academy of Music. He has been teaching there himself and assisting his former teacher in the last years.

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  GENERAL MANAGEMENT:

  Contact:
  Rafael Schwarzstein
  
  Phone: +49 234 49703986 
  Cell *WhatsApp: +49 152 02197452
  Fax:    +49 234 79806230
  
  r.schwarzstein@berin-iglesias.art
  
  

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• 

  Alexey Arkhipovsky

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  Alexey Arkhipovsky
  

  Balalaika

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  Magician of unlimited sound
  
  

  "I never saw the balalaika as a Russian folk instrument. It simply allows me to play whatever I want!" – Alexey Arkhipovsky

  Alexey Arkhipovsky is a true magician of sound. Critics around the world compare his achievements on the balalaika with the innovations that Niccolò Paganini brought to the violin and the revolution that Jimmie Hendrix started on the guitar. After his participation in the "Zomerjazzfietstour" in Groningen, the Dutch newspaper "De Volkskrant" compared him to guitar heroes such as Jeff Beck and Steve Vai. And indeed, playing his electrically amplified instrument with unlimited creativity and breathtaking technique, Arkhipovsky enters a sphere of unlimited possibilities that had never been heard before on the Russian balalaika.

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  The musician, officially declared "the world's best balalaika soloist" by the Russian edition of the Guinness Book of Records in 2011, developed his unique technique on his own, combining elements of traditional and guitar playing. With exquisite taste and fine irony, his compositions open the door to a mesmerizing cosmos full of poetry, crystalline sounds and dreamlike melodies. In spite of the many inspirations he draws from Russian folklore, jazz, early, classical and even electronic music, Arkhipovsky's music is never superficial. It touches the listener with deep melancholy and an almost painful beauty that is typically Russian.

  Arkhipovsky's concerts are planned with dramaturgical accuracy, putting a focus on the music that effortlessly captivates the audience. As a musician who does not fit into any genre, Arkhipovsky can be seen and heard regularly at festivals of classical, world music, folklore and jazz in Russia and abroad, as well as in radio and television stations worldwide.

  Alexey Arkhipovsky was born in Tuapse (1967) and began playing the balalaika at the age of nine. Trained at the Gnessin Institute in Moscow, he was awarded at the competition for folk instruments in Russia (1985) became a member of the Smolensk Folk Orchestra after completing his studies and went on tour with the State Folk Ensemble Rossiya. In 2002 Arkhipovsky started his solo career which takes him around the globe.

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  MANAGEMENT FOR:
  EU, Baltic States, Asia & CIS Countries*

  Contact:
  Rafael Schwarzstein
  
  Phone: +49 234 49703986 
  Cell:     +49 152 02197452
  Fax:    +49 234 79806230
  
  r.schwarzstein@berin-iglesias.art
  
  
  * Except for the Russian Federation

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• 

  Mikhail Shekhtman

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  Mikhail Shekhtman

  Conductor & pianist

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  “Wonderfully delicate Mozart touch” – Herbert Blomstedt (Adventliche Concert at the Leipzig Gewandhaus)

  "Extraordinary sound" - Pizzicato Luxembourg (Remy Franck)

  "Astonishing conductor & pianist"  - RG.ru (Maria Babalova)

  "The real star of the evening was the conductor - brilliant and charismatic Mikhail Shekhtman, who brought the house down leading the Symphony Orchestra of India" – Khushroo N Suntook  (Chairman and Founder, NCPA) 21/11/2019 - SOI, Mumbai - Opening of the Festival 50 Years NCPA during the Days of Moscow in Mumbai)

  Israeli-Russian conductor & pianist Mikhail Shekhtman is one of the most sought-after musicians of his generation. He has been equally successful working in symphonic, operatic and chamber genres and has been awarded with German OPUS-Klassik and Bavarian radio prize.

  Shekhtman collaborates with some of the leading concert venues -  Leipzig Gewandhaus, Berlin Philharmonie, Vienna Konzerthaus, Zurich Tonhalle, Paris Theatre des Champs Elysée, Hamburg Laeizhalle, Melbourne Recital Centre, Seattle Benaroya Hall, Seoul Lotte Concert Hall, The Mariinsky Theatre, Grand Hall of Moscow Conservatory, Great Hall of St-Petersburg Philhamonie and festivals - The Lucerne Easter Festival, Gstaad Menuhin Festival, Verbier Festival, Bad Kissingen Festival.

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  Shekhtman was born in Moscow, graduated with distinction from Moscow Conservatory and subsequently studied in Berlin.

  He attended masterclasses with Mikhail Yurowski, Teodor Currentzis, Bernard Haitink and assisted Daniel Harding, Sir Antonio Pappano and Danielle Gatti. 

  He performs with prominent soloists - Anna Netrebko, Augustin Hadelich, Behzod Abduraimov, Ilya Gringolts, Ildar Abdrazakov, Yusif Eyvazov, Olga Peretyatko, Aida Garifullina, Andrea Bocelli, Maria Guleghina, Maxim Vengerov, Jonathan Tetelman, Julia Lezhneva, Valentine Michaud, Luka Hauser, Helena Tarosian. He assisted Daniel Harding, Sir Antonio Pappano and Danielle Gatti.

  Recently, the young Maestro led Concerto Köln, St-Petersburg Philharmonic, The Mariinsky Theatre, Russian National Orchestra and newly-based Russian National Youth Symphony Orchestra. As pianist he performed under Herbert Blomstedt, Santtu-Mathias Ruvali and James Gaffigan. His concerts and recordings have been broadcast via national television and worldwide through Medici.tv, BBC Radio 3, France Musique and Bavarian Radio.

  
  
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  GENERAL MANAGEMENT:

  Contact:
  Rafael Schwarzstein

  Phone: +49 234 49703986 
  Cell *WhatsApp: +49 152 02197452
  Fax:    +49 234 79806230

  
  r.schwarzstein@berin-iglesias.art

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• 

  Liav Kerbel

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  LIAV KERBEL

  Violoncello

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  "There are many young promising cellists today, the level of performance has become unprecedentedly high. However one could say that the essence of music making has changed over time and the level of technical performance has superseded the importance of musical expression. I have followed Liav Kerbel for many years and am happy to witness his complete devotion towards the quality of musicianship and technique as a whole, not sacrificing one for the other. I find Liav to be a young exceptional musician as well as having  become a young promising cellist!"
  - Mischa Maisky

  Belgian-Israeli cellist, Liav Kerbel,is a major prizewinner at several international competitions, the most recent being the winner at the Manhattan School of Music’s Eisenberg-Fried concerto competition where he performed the Shostakovich cello concerto No.1. He was also awarded the 3rd prize and two special prizes at the Gershwin International Strings Competition, which gave him the opportunity to give his in Carnegie Hall- Weill Recital Hall debut in 2018.

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  In June 2016 Liav made his Center for Fine Arts of Brussels debut performing the Brahms Double Concerto together with violinist Maxim Vengerov and the Belgian National Orchestra. A few years later, he performed Vivaldi’s Double Cello Concerto with the eminent cellist Mischa Maisky, who later described Liav as a “young exceptional musician”. Other performances include appearances with the Chamber Orchestra of Bulgaria and Nuove Musiche with Tchaikovsky’s Rococo Variations and appearances with the Belorussian National Philharmonic Orchestra, Pleven Symphonic Orchestra and the Flemish Symphony Orchestra.

  Liav has had the honor to perform for many influential musicians including Renaud Capucon, Ivry Gitlis, Clive Greensmith, Frans Helmerson, Steven Isserlis, Hans Jørgen-Jensen, Heinrich Schiff, Ferenc Rados, Jian Wang, Uzi Wiesel, the Borromeo String Quartet and the Talich String Quartet.
  
  

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  Liav started his musical studies in Belgium with Prof. Claudine Steenackers and Prof. Vladimir Perlin. He now holds a Bachelor of Music degree as a recipient of the International Advisory Board scholarship at the Manhattan School of Music as a student of Prof. Philippe Muller. He is currently finishing his Master of Music degree under the guidance of Prof. Laurence Lesser at the New England Conservatory. 
  

  Liav plays on an instrument by Giovanni Battista Ceruti, made in Cremona in 1798, generously granted on an extended loan from the Bank DELEN in Belgium, and a private donor.

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  GENERAL MANAGEMENT:

  Contact:
  Rafael Schwarzstein
  
  Phone: +49 234 49703986 
  Cell *WhatsApp: +49 152 02197452
  Fax:    +49 234 79806230
  
  r.schwarzstein@berin-iglesias.art
  
  

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• 

  Mikhail Pletnev

• 

  HAUSER